////Animation Director/// Animator /// Illustrator/// Optimist////_______"Don't be discouraged, be INSPIRED"

Jazz... [my therapy]

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Showing posts with label Traditional art. Show all posts
Showing posts with label Traditional art. Show all posts

Wednesday, 11 April 2012

Day #03...

Ok, here's day 03's WIP. Threw in the guy's shirt & tie, & fleshed out the "broad"'s hair, outfit & a little work on her legs... So far, really pleased with the shape it's taking.

My palette hasn't quite been an exact match of my colour study, but at the same time it hasn't deviated so far as to mess up values etc... One thing I've found that has surprisingly been more helpful than I had anticipated in making this transition from digital to traditional, has been my understanding of painting in Adobe Photoshop... I work with a very painterly technique/ look in PS; from the way I blend my colours, to adjusting the wetness, load, mix & flow sliders in order to simulate techniques used when painting traditionally... & I can definitely say it really has helped! I'll save going into the details for now since I'm not actually finished, but I think it's more to do with the fact that working digitally frees you up to make mistakes quicker, knowing you have the luxury of easily correcting them... Depending on your process of painting in PS, I really believe this helps you learn faster & become bolder in your decisions, paint stokes & mark-making.

In terms of anything else, I'd say the biggest battle I have is with the drying time of the paint. I'm using acrylics, & though I suppose this could be a good thing, in forcing me to work faster/ make quicker decisions, at this stage it's drying a little too fast for me... [Note to self: "pick up paint retarder before moving onto the background"...  Let me know what you guys think!

Fig:01

Fig:02

Fig:03
I forget what gave me the idea to throw this in [most probably accidentally
getting a dot of white paint on the dress], but I decided to give the girl's dress
a little more detail & texture by adding lighter values as dots, to suggest
the dress being made of some sort of sequence fabric. 

Fig:04
A little more work to do on her hair...



















































































My palette at the end of this session...






















-M-

Wednesday, 4 April 2012

Day #02...

Hey folks! So here's where I'm at at day 02... Spent just over an hour on this today between other work. Worked mainly on the guy's suit-jacket, his hair & tidied up his face a little more.

























-M-

Saturday, 31 March 2012

Day #01...

So here's where we are at day #01; just under half a day's effort... Lot's of mistakes along the way, but so far, so good I'm thinking...

Today's lessons?? 

1): Need finer set of paint brushes for better precision on smaller details...
2): Keep a closer eye on colour study/ match pallet.
3): Work more in stages...
4): Work out the values with the paint a little more 
     watered down at first (lighter), then build up from there...


& lastly, 
5): Re-fill water jug more often...

Bring on day 02!!!
Fig 01
Fig 02

Fig 03

Fig 04

Fig 05


































































































-M-

Friday, 30 March 2012

To Traditional... and Beyond!

Hi guys! My my, it's been quite some time, huh? Can you believe we're entering the 4th month of the year already!!? Hope you've all been well?

So the past month or so (since my last post), as usual, I've been busy freelancing & working on some pretty cool projects; one of which was directing/ animating a commercial for a particular clothing retailer based over in the US, which I'll post a link to once it's all signed off...

Commercial work aside though, I have been working away on a few new personal projects; as well as some unfinished ones from last year. The latest being having a sudden urge to get back to doing some traditional artwork, & in the process, peel my eyes away from staring at a computer monitor... Mainly also to improve my skills in the areas of colour theory & better understanding how to control it. As with any form of digital media, there are many advantageous features & opportunities that are at our disposal, which we do not have as luxuries in the traditional world. On saying that, these "advantages" do at times also become handicaps in our creative lives, leaving us so dependent upon them, we can't even imagine how we ever lived without them... Obviously, when you think about it, this inevitably hinders our growth as artists or more generally, problem solvers/ thinkers...

More & more I've been seeing some AMAZING digital artists going down this route too (I guess maybe for the same reasons) & producing some brilliant traditional art! Which reminds me, I have to give a shout-out to these two talented young ladies, Eli & Oli [twin sisters in fact] who are two of such artists. 17yrs old & they're already more prolific than a lot of professional artists I know (myself included). Check out their stuff & show some support if you have a few mins.

... So yeah, with all the above in mind, over the past week or two, I've been raiding Art stores like a crazed hoarder! Picked me up some acrylics, a good quality set of paintbrushes, an easel, palette knife & a few other essentials. Below are just a few rough poses I did for this first traditional painted piece [in over a decade!]. I'm not planning to spend too much time on these, nor put too much pressure on myself; at this start-up stage I just want to have fun with it.

Fig: 01) Wanted to go for some sort of Noir-type 
"crime scene" feel; perhaps a character backed up into a 
corner making his last stand & going down fighting!

Fig: 02) Decided to throw a female in there to 
dramatise the scene up a little more... Yep, I'm a 
sucker for the archetypal damsel in distress situation... 
what red-blooded man isn't!!?
Fig: 03) At this point [in fig 02] I could now visualise 
the scene/ setup I wanted, & so decided to hop onto 
my comp [above] to tighten up the pose, body 
language of both characters & small details such as 
facial expressions, clothing & creases etc... I figured 
it'd be faster to do this on the comp than sketching 
it out on paper, feeling my way through till I go it 
right & wasting a few pages in my sketch book [as 
I said, I don't plan on spending too long on these pieces]. 


So now, TENSIONS are high, SUSPENSE is excruciating 
& ANXIETY is the name of the game... I name this 
piece in advance with the fitting title of, 
"Dead End Alley!!!".

Fig: 04) Light under-drawing transferred, & ready to 
begin!




















































































... I'll keep you guys posted as I go. Have a fun weekend all!

-M-